![]() In the Switch house, a large selection of late works by Bourgeois is shown in three adjoining rooms, among them a big spider sculpture and a rather unsettling cabinet of curiosities. She was instrumental in giving the first Turbine Hall commission to Louise Bourgeois, and she curated an acclaimed retrospective of the artist at Tate Modern in 2007. Morris has long championed the cause of female artists. This is unquestionably a reflection of Frances Morris’ recent appointment as the gallery's first female director. In the new collection hang women have an enhanced presence. In a section called ‘Performer and Participant’, the huge installation Museum of Contemporary African Art, by Benin artist Meschac Gaba, aptly suggests alternatives to Western models of museum displays. Among the rooms showcasing the permanent collection, one is devoted to ‘Protests in Latin America’ while others focus on Buenos Aires, Tokyo and Zagreb. As a sign of this new situation, a work by Ai Weiwei, a tree made of pieces of dead trunks and branches from his native China, stood on a bridge in the middle of the vast Turbine Hall when the Switch House opened. To escape this domination, acquisition committees have since been created in order to increase the representation of artists from Latin America, the Middle East and Africa. This is all the more significant since European and North American artists strongly prevailed in the collection when the gallery opened sixteen years ago. ![]() The new display of the permanent collection markedly highlights Tate Modern’s global approach to contemporary art. Faculty from the MA in Contemporary Art at Sotheby's Institute of Art - London tell us about how the Tate Modern is seeking to redefine itself for the 21st century. But Tate Modern did not just get bigger it also transformed itself through an entirely new hang. More than 800 works are now on display, 75% of which have been acquired since Tate Modern opened in 2000. The impact of the extension on the exhibition space is huge, as it was increased by 60%. ![]() Herzog & Meuron’s 10-storey addition rises above the original museum in the form of a twisted, spiky pyramid, at the top of which viewing platforms offer spectaculars views of London’s landmarks. ![]() When Tate Modern’s new wing, the Switch House, opened in June 2016, it immediately attracted record numbers of visitors. ![]()
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